In the summer of 1975, the young director Steven Spielberg set new standards for cinema worldwide with an oversized shark bite, a plastic shark fin and an unmistakable two-note main theme composed by John Williams. With the horror from the deep, a man-eating, gigantic great white shark, the film of the same name became a similarly traumatic reference as Alfred Hitchcock's "Psycho": it triggered lasting primal fears across generations. On the beaches of the world, there was clearly a "before" and an "after". Steven Spielberg, who was only 28 at the time, not only set new standards for the thriller genre, but also hid his biting criticism of US capitalism in the 1970s behind it.

Paulette, Jean-Christophe's mother, talks too much; after ten years of struggle Jean-Christophe notices that Paulette talks less, but one night he sees his mother's dentures in a tooth glass. Kind friends explain to him that Paulette has passed from the oral stage to the sadistic oral stage. The mother shows her teeth, I love you, I crunch you, it's sure death...

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A coastal man wakes up alone, lying on the beach. The fish have become broken guitars. The mountain is calling him. When the guitars burn and the mountain goes out, the journey of the death of a coastal man will begin.

A man fights against drug dealers around his neighborhood.

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This romantic comedy from France explores the misadventures of several friends looking for love and trying to define beauty. Daphne is a lovely women who is nonetheless unsure about her looks, compounded by the fact that she's fallen in love with Vincent, who has a policy of only dating models. Daphne's best friend Celine comes up with an idea -- she'll get her pal Jacques to paint a nude portrait of Daphne. When Vincent sees the painting, he'll be more attracted to the woman who posed for it, leading him to her doorstep. But of course, it isn't quite that simple.